LET’S TALK ABOUT SYMBOLS

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The term, symbol comes from the Greek word sunbolon, which means put together. In ancient times, the sunbolon was an identifying token. It was an object split into two halves. Only the individual who possessed one half of the symbol was allowed to join the group or the tribe that held the other half. These days, the symbol has lost its original function; now, it is just considered as a veiled truth. Esoteric secrets are veiled, but understanding the symbol makes it possible to remove the veil and know the truth. Through the symbol, we can make a synthesis between different levels of existence, spirit and matter, sky and earth, cause and effect, part and whole. The sky is the most widespread symbol in humanity. All religions associate the sky with supernatural. Through the symbol the different parts become one. Symbols are not the creation of the human mind but predate it. You can find the same symbols in different parts of the earth, in populations very far from each other. For instance, the swastika is one of the most ancient and widespread symbols. Hitler borrowed it from ancient cultures. The swastika existed in India, Rome, America, and many countries since time immemorial. It was considered a bearer of good luck, peace, and well-being. Not everybody can easily understand symbols; this faculty belongs to mystics, initiates, and heroes.

Ettore Grillo, author of these books:
– A Hidden Sicilian History
– The Vibrations of Words
– Travels of the Mind
http://www.ettoregrillocom.wordpress.com
http://www.ettoregrillo.wordpress.com

http://www.amazon.com/author/ettoregrillo

A PARANORMAL PHENOMENON

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“When I was a high school student, some schoolmates of mine taught me a sort of game. We drew three circles, all were the same size as a saucer, in the center of a large sheet of paper. In the middle circle, we put a saucer. In the right circle we wrote ‘Yes’ and in the left circle we wrote ‘No.’ Along the borders of the sheet, we wrote the letters of the alphabet from A to Z, spacing them out about five centimeters from each other. After that, we sat around the table and put our forefinger, it didn’t matter if it was the right one or the left one, on the saucer.
Then, we concentrated on the spirit of Tom, Dick, or Harry and said silently to ourselves ‘Spirit of Tom, Dick, or Harry, if you are here, move to the Yes.’ After a little bit of concentration, sometimes the saucer moved from the middle circle to the circle where ‘Yes’ was written. At that time, I suspected that my schoolmates moved the saucer with their fingers to get me scared. We continued to do the experiment for some months.
Sometimes the saucer moved, sometimes it stayed stuck in the middle circle despite our concentration. However, it never moved toward the letters written along the borders of the sheet.
“A few years later, when I entered the university, I introduced the game to some friends of mine. One night, we four students were in the room of a friend from Apulia, whose name I don’t remember, yet I remember his surname, Lastrina. There was also a Corsican called Paul and a student named Marco from Venice. We were all different from one another, both physically and in character.
“Lastrina was lean and constantly moving, as if electric shocks through his body prevented him from standing still. He was an engineering student, extremely shy and educated. In his room, there was a bookcase with hundreds of books. He was possessive about them and seldom allowed his friends to enter his room.
“Paul, like many French, had a snub nose and fair complexion. He was quite stout and tall. His big, black eyes were always overflowing with love. He was incapable of hurting even a fly.
I could never make out what sort of mystery led him to study medicine in Italy, since there were many excellent universities in France. I felt that he wanted to flee his country.
“Marco was a physics student. A little bit shorter than me, with black eyes and hair. Like most Venetians, he loved music. Thanks to him, I started listening to classical music. Whenever he spoke, his marked Venetian accent sounded like a melody. I loved Venetian accents! He was a hilarious fellow. Whenever he told jokes, we screamed with laughter.
“As for me, I was a law student. At that time, I was a bit fat despite an athletic frame. I practiced all kinds of sports, from tennis to soccer, from horse riding to bodybuilding and weightlifting.
“That night, we played the game as usual, but unexpectedly, the saucer started moving easily and quickly through the letters to answer our questions. We raised Ugo Foscolo’s spirit, a famous Italian poet. All of a sudden, Lastrina removed his forefinger from the saucer and stood up. ‘I want to see if it is the spirit that moves the saucer or you three are making a fool of me!’ he said, with an angry and strident voice like that of a scared crow. Then, still standing, he addressed the spirit. ‘Tell me, O Ugo Foscolo’s spirit, what are the initials of your mother’s name and surname!’ Only three of us kept our forefingers on the saucer, which quickly moved towards the letter ‘D’ and then stopped on the letter ‘S.’ My friend from Apulia turned pale and panted. ‘You all knew that!’ he shouted. ‘What?’ we all asked. ‘Ugo Foscolo’s mother was Greek and her name was Diamantina Spathis!’ ‘I didn’t know that. I think none of us knew that name. But now I am the one who wants to ask something to the spirit,’ I said.
“I took off my finger from the saucer and stood up. ‘What are the initials of the name and surname of my maternal grandfather, O spirit?’ Obviously, none of my friends could know the right answer. They lived far from Sicily and had never met me before I came to study at the university. I want to stress that I was out of the chain, standing far from the saucer. Nevertheless, the saucer, without hesitating, went towards the letter ‘F’ and stopped on it. Then, it moved toward the letter ‘R’ and finally stopped on it. Incredible! My grandfather was called Federico Ruvolo! I couldn’t believe it. For the first time in my life, I was observing a paranormal, or rather an immaterial phenomenon with my own eyes. I thought that the game with the saucer was just a game, but it was not like that. The thing was getting serious, too serious. ‘How is it possible?’ I exclaimed, staring into space.
“My Apulian friend was too upset. Since we raised the spirit in his room, he didn’t want to go to bed and asked for an exorcism to be carried out. About half an hour later, he calmed down. We all went back to each one’s room. I, too, was very upset and shaken. All night I ruminated on what had happened. Maybe there was no spirit, no wandering soul! Perhaps, by keeping our concentration on the saucer to get it moved, we triggered a sort of nonverbal communication with one another. In that way, each one could read the others’ minds, I thought.
“The following night we met again, but this time I told my friends, ‘We have to repeat the experiment in a different way. We must not raise any spirit, but only concentrate upon the saucer in order to make it move. That is, through our force of concentration, we will order the saucer to go to the ‘Yes.’ That night, even without evoking a spirit, the saucer moved a little bit. But it couldn’t go toward the letters of the alphabet disposed along the borders of the sheet, nor did it answer any question. Anyway, I was very shaken by these experiments and asked one of the priests in the university to tell me something about evocation. ‘Why does the Catholic Church condemn the raising of spirits?’ ‘It doesn’t want the dead persons’ souls to be disturbed. Moreover, it is not possible to rule out that Satan disguises himself as the raised spirit,’ answered the priest.
“His answer upset me so much that from then on I didn’t play that kind of game anymore. Paul, my Corsican friend, kept conjuring spirits. I was told that he continually asked the raised spirit, ‘Tell me when I shall die! I want you to tell me when I shall die!’ The raised spirit answered, ‘Soon! You will die before long definitely!’
“That very summer, my dear friend Paul was murdered, along with his brother, while they were spending their holidays in Corsica. In the autumn, Paul’s parents came to the university to meet their son’s friends. During lunch, I sat at their table in the refectory. I didn’t feel like asking them about the cause of the double murder. I just asked, ‘Did you have only two children?’ ‘Yes, just two!’ Paul’s father answered…”

This is an excerpt from Travels of the Mind
Ettore Grillo, author of these books:
– A Hidden Sicilian History
– The Vibrations of Words
– Travels of the Mind
http://www.amazon.com/author/ettoregrillo

MARTIAL ARTS AND DAILY LIFE

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In my hometown, I didn’t have the possibility to practice Shikido. The nearest Shikido center was in the north of Italy, almost a thousand kilometers away. But I didn’t want to give up martial arts. So, I went to a Tekkido center, another martial art, different from Shikido, but equally useful and instructive.
Unlike Shikido, Tekkido was based upon precise and rapid movements. Attending the classes, I was under the impression that Tekkido mostly consisted of movements of the wrist. The first principle was to attain the maximum result through the minimum effort. Tekkido was helpful to me. Like Shikido, its purpose is to strengthen the body and mind. There were some exercises that couldn’t be done if one looked at the opponent.
“Never look at the opponent; otherwise, he will eat your soul!” the teacher used to repeat.
I applied this teaching to my daily life. Before, I was conditioned by the public’s eyes on me. Because of that conditioning, I was not natural in front of others. When I went to dance in a public dance hall on Saturday night, I was embarrassed with the thought that others were watching me. After a few Tekkido lessons, I felt freer and more comfortable.
Without caring about others’ eyes, I danced much better. I was relaxed and enjoyed myself! Since then, I have acted and lived in my own way, without looking at others, that is, without caring what others think about me.
Another exercise was to move the body backward swiftly at the very moment when the opponent launched his attack. If you moved back too early or too late, the opponent would succeed in hitting you. That also happens in life, not only in human society, but also in the animal world. Every action, either to defend or to attack, has to be done at the right moment. The hare that wants to escape the attack of an eagle crouches down motionless and waits for the very moment when the eagle is about to clutch it with its claws. Then, all of a sudden, the hare moves sideways. If the hare wants to survive, it has to move at the exact moment when the raptor is very close. Since the eagle dives very fast, it can’t change the direction of its dive at the last moment. The hare owes its salvation to her waiting for the exact time to move aside. Moving too early or too late would be fatal to it.
This principle is also valid in daily life. From then on, I have tried to be not too early or too late in seizing the opportunities that life offers to me. By acting at the right time, I can avoid bad luck and also meet good luck on time.
This is an excerpt from Travels of the Mind
Ettore Grillo, author of these books:
– A Hidden Sicilian History
– The Vibrations of Words
– Travels of the Mind

http://www.amazon.com/author/ettoregrillo

 

 

 

HE WHO SINGS PRAYS TWICE

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The book of Revelation, or Apocalypse tells of an angel who plays the trumpet. There is closeness between religion and music, indeed. Famous is Saint Augustine’s saying, “He who sings prays twice.” It means that if one prays God by music, his prayer is more effective than that which consists of spoken prayers.
Pope Gregory I (540-604), known as Pope Gregory the Great, collected the ancient Christian chants, later called Gregorian chants, and founded the first singing school in Rome. He also asked the missionaries to bring him any new music sheet they found. There are paintings and stained glasses that show a bird singing near Pope Gregory’s ear.
Actually, music is a universal language. Everybody can feel it. Even with extraterrestrials we can communicate through music. Undoubtedly, music is one of the paths to get close to God. I cannot imagine paradise without music.
As for me, I started learning the piano at the age of sixty-three. Late? No, it’s never too late!
Ettore Grillo, author of these books:
– A Hidden Sicilian History
– The Vibrations of Words
– Travels of the Mind
http://www.amazon.com/author/ettoregrillo

SULFUR MINES IN SICILY

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October 26, 1933
It was 3:30 in the morning when my mother woke me up. “Get dressed within ten minutes, because your father is waiting for you!” she said.
I looked at my mother with my eyes wide open and obeyed her without saying any word. I got dressed and went down to my parents’ bedroom where my father was waiting for me. As soon as I entered the room he took his revolver from the closet and loaded it with six bullets. Then he fastened his cartridge belt around his waist. Then he put on his blue hooded cloak and buckled it near his neck. At last, he took his double-barreled gun from the closet and slung it over his shoulder.
“Now we are ready to go,” he said with his grim face.
I was breathless. I couldn’t imagine what was going to happen. I had a bad feeling, but I didn’t have the courage to ask my father what he was going to do with those arms. I followed him down the inner stairs that led to the stable. The light of the lamp was feeble, but here and there I saw some mice running though the straw. My father took the
packsaddle that was hung on the wall and put it on the mare, which was startled. Finally, he pulled the girth tightly.
“Take the reins and the saddlebags,” he said.
I did as he asked, and then he ordered me to get a small barrel of wine, a bottle of water, and an acetylene lantern. We would use the lamp on the road.
He lifted me with his strong arms and put me on the front of the packsaddle and walked the mare up to the exit of the vegetable garden. He closed the gate and leapt back into the saddle. Our mare walked briskly through the empty streets of Enna. The streets were illuminated until we reached the Janniscuru Gate, but little by little as we advanced along the country road it became darker and darker.
My father took the acetylene lamp and lit it. “Hold it!” he said.
I grabbed the lantern from the hook, and I have to say that it actually lit the road in front of us very well. It wasn’t very heavy, but the smell that it gave off was disgusting!
I had heard from my mother that there were bandits along the roads who mugged passersby, but I blindly trusted my father. He is very strong and nobody dared confront him. My only worry was what my father would do to me. I was sure that my mother had told him that I was a bad student, so I expected punishment, but I couldn’t figure out what kind. At last, I summoned up my courage to ask him.
“Where are we going, Father?”
“Shut up!” he said with a voice so firm that it made me shiver with fear. We kept going through the pitch-black night, while I kept holding the lantern.
After an hour of riding, I saw a long line of men, young men, boys, and ragged children walking slowly on the road with their lanterns in their hands. They looked as if they were souls that were heading for the Valley of Jehoshaphat near Jerusalem on the day of the Last Judgement.
Where are all those people going at night? I thought. I could never have imagined so eerie a scenario. It was as if I was dreaming, but the lantern in my hand, which was now getting heavy, dispelled all my doubts. I was awake, as were all those people walking along the edge of the road.
It was almost dawn when we arrived at a place with many cylinder-shaped stone mounds that gave off smoke on the top, while below a yellow liquid leaked through a crack in the stones. We had arrived at a sulfur mine.
As soon as they saw my father, three mine laborers headed for us. They all bowed to my father and kissed his hand. One of them took the reins of the mare, while another laborer took my father’s cloak. A third workman was waiting for my father’s orders.
“This is my son, Vincenzo. I want you to show him the mine, both inside and out,” my father said with a commanding tone. The laborer nodded. “It will be done!” Meanwhile, he helped me dismount.  Holding my hand, he led me to the smoking stones that I had seen at the entrance.
“These are furnaces,” he said. “We put the sulfur ore inside and smelt it. At least two-thirds of the molten sulfur is lost in the air as sulfur dioxide. The remaining third flows into wooden casts. We wait until the sulfur is cold, then we take it out of the wooden casts and load it into trucks. We export sulfur all over the world. It is used in agriculture as a fertilizer, to make gunpowder, as an insecticide, a fungicide, and so on. Nevertheless, I have to say that all the people that work here breathe toxic fumes due to high levels of sulfur dioxide in the air. Sooner or later we all get sick. We are doomed to die young. Therefore, I advise you to stay as far away from this sulfur mine as you can.”
We kept walking around the area until we finally arrived at an entrance that had been dug into the ground. The upper part of the tunnel and the walls were propped up by wooden piles and beams, and a narrow staircase led underground.
“Is it not dangerous to go underground? I don’t think these wooden posts are stable enough,” I said.
“Actually, accidents happen every now and then, but we must go down, otherwise your father will reprimand me. Anyway, don’t be anxious. You are safe with me,” he said, holding my hand tightly.
We went downstairs for about a hundred meters. Then the stairs became steeper and slippery. Little by little, as we went down it got hotter. We kept going until we arrived at a wide area from where many tunnels branched off. They were propped up precariously.
Along the stairs and the galleries I saw an uninterrupted line of children who were carrying that nauseating acetylene lamp in one hand and a heavy weight on their shoulder. The ore was stuffed into canvas bags or baskets. The children wore small bags stuffed with rags on their shoulders and heads to soften the harshness of the ore. Stooping under the weight and with labored breathing, they went upstairs slowly, giving out a painful moan with every step. I had the impression of seeing human-shaped moles which didn’t like to come out in the daylight.
“What is the average age of those children?” I asked.
“Their age ranges from seven to eighteen years. They cannot grow well because the air here is too rarefied and humid. Moreover, they carry weights that are too much for their young age. They cannot stop on the stairs to take a rest or the entire long train of carriers would stop. Their bodies are misshapen and they will never grow taller.”
We kept going down, and finally arrived at the end of one of the galleries. The air there was hot and unbearable. I saw that a few men were completely naked because of the stifling heat. With picks in their hands, they dug out the ore. Near them, a few children filled baskets and canvas bags with the ore, while other little laborers helped other children put the loads on their shoulders.
“Every pick man has at least three children at his disposal. He cannot do his work without children that carry out the material that he digs out. For this reason, he makes an agreement with children’s parents. The pick man gives the parents money in exchange for their children’s work.”
I was itching to leave that goddamn, underground place. I wanted to breathe freely in daylight, but the laborer, who had to follow my father’s orders, took me all around the mine to see more naked laborers and misshapen children.
“One last thing,” the laborer said. “You have to know that accidents are not infrequent in this mine. Some are caused by the accidental collapse of the props, but the most serious tragedies happen when the laborers come across firedamp, which explodes when it comes in contact with the flame from the lanterns. A considerable number of both pick men and children, sometimes dozens, are left trapped in the bowels of the mine. Their deaths are appalling. The oxygen runs out little by little and they die of suffocation.”
When I got out of that infernal mine, my legs were quaking. My mouth was dry and my face was pale. The hand gave me some water and we both sat down on a bench near my father’s office. From there I could see the people who set fire to big logs below the furnaces, while other laborers loaded the blocks of melted sulfur into wheelbarrows and then carried them to the trucks. My father didn’t allow me to enter his office, so I had to wait outside on the bench. Two hours later a hand came with our mare. It was the sign that we could go home.
On the way back home my father broke his silence. “Did you visit the mine?”
“Yes, I did.”
“Did you see all those children working hard?”
“Yes, I did.”
“Well, now I’ll give you an option—you either make progress in your studies, or you will come and work inside the mine like those children you just saw. You can be sure that if you fail as a student I will take you to work in the mine!
“You can consider yourself a privileged boy,” my father continued, “because you are given an option, while those unlucky children have no choice. They belong to large families with six, seven, sometimes twelve children. Their parents cannot afford to support them, so they entrust them to the pick men for a handful of money.”
“Okay, Father, I promise from now on I’ll be a good schoolboy!” I said.

This is an excerpt from A Hidden Sicilian History by ETTORE GRILLO
Ettore Grillo, author of these books:
– A Hidden Sicilian History
– The Vibrations of Words
– Travels of the Mind
http://www.ettoregrillocom.wordpress.com
http://www.ettoregrillo.wordpress.com

http://www.amazon.com/author/ettoregrillo

HOW TO WRITE A NOVEL

writers-block-19886647[2]Reading a book about the Sufi poet Mansur Hallaj, I discovered that one should be a mystic to be a poet. I think that nobody can write a poem or a novel without inspiration, which comes from above. So for me, the first thing to start writing something is inspiration.
An old Italian proverb says, “Let’s take the crowded bus, later everybody will fit in it.” Therefore, let’s start writing, later we will find the plot and the proper words to express our ideas and feelings.
As for me, I just started writing my novels and then the inspiration and the story came naturally. It is not difficult. Everybody can do the same.
I like to mention the great writer, Herman Melville, the author of Moby Dick. He read countless books, starting from Francois Rabelais’s books, just to write his own novel. In fact, it is good to read many books in order to learn the technique of how to write. Many authors use metaphors and similes to express their stories in a vivid and gripping way. A novelist is also an artist.
To the would-be writer, I want to say, “Look at the sky above you, and then write your novel to the end.”
Ettore Grillo, author of these books:
– A Hidden Sicilian History
– The Vibrations of Words
– Travels of the Mind
http://www.amazon.com/author/ettoregrillo